Kapsalon at UND 7























Isabella Gerstner, Wolfgang Wirth, Marc de Maisonneuve, Klaus Bock and Mercedes Azpilicueta have all been artists in residence in Rotterdam in 2011. The experience of sharing time and working on projects together led to the idea of establishing a permanent structure for common work though all of them currently live in different places.

Kapsalon is a test set-up to recontextualize ourselves as a collective disembodied voice.

Kapsalon took part in the UND 7, a platform for art initiatives in Karlsruhe, Germany.

March 7th to 11th 2012.

http://www.und7.de/


















F.I.R.E.I.N.C.A.I.R.O.

We Are The Time:
Art Lives in the Age of Global Transition.

Conference-festival week at the Gerrit Rietveld Academie

12th – 16th March 2012

http://wearethetime.info

F.I.R.E.I.N.C.A.I.R.O. daily 13h30 to 19h30

F.I.R.E.I.N.C.A.I.R.O. is a Live Radio/Event space inspired, in part, by the renowned

Belfast independent record label, Good Vibrations. The project is a collaboration with the artist-run space Goleb, the UK community radio station Soundart Radio (102.5FM), and the Gerrit Rietveld Academie’s very own Radio Rietveld.


http://projectgoleb.wordpress.com

http://www.soundartradio.org.uk

http://radio.rietveldacademie.nl


Art and music have long contributed to society and our way of life. But in these dire financial times where media has been swallowed by giant conglomerates, and culture has fallen under the scrutinizing eye of market capitalism; where is the unifying ‘space’ that announces its difference to the prescribed status quo?

Throughout the history of popular culture this collective space, appearing both physically and conceptually, has been a hub of creativity, exploring both new and old technologies and giving birth to new sounds and new vibrations.

In Belfast, caught between the conflicts of its time, it was a little known record shop and label called Good Vibrations. Famous for producing the first record that was ever played twice in a row on British airwaves, it was also a project that recognized the potential of music to be a unifying force.

A little over a year ago it appeared that the Internet, with its use of social media, could be the free space where this difference could be heard; the apparent spark that lit the fires of the provincial town of Sidi Bouzid, which later reverberated to the cities of Cairo, London and New York.

With the recent censorship laws being proposed on the Internet, our question as a group has been: If we could freely express ourselves, what kind of vibrations would we want to send out there? And the workgroup’s answer has (so far) been: F.I.R.E.I.N.C.A.I.R.O.

http://www.youtube.com/watch?v=oEkG3raANtU which after all is an intense love song.

Throughout the week, different radio programs will take place with a variety of guests and a range of live musical acts.

The entire project will be broadcasted as a Live Feed through the Radio Rietveld website, and will also appear on the UK community radio station Soundart Radio (102.5FM)

Follow the week’s events on Facebook http://www.facebook.com/pages/FIREINCAIRO/374246752600653

The entire project will also be streamed live on

www.fireincairo.org

The streams will later be accessible through an archive on the website.

Tutors: Taf Hassam / Renée Ridgway

Coordination/Radio Hosting: Taf Hassam (UK), Kaja Wie Van Der Pas (NO), Maria Guggenbichler (DE)

Radio / Newspaper / Design:

Andre D Chapatte, Carina Erdmann, Charline Tuma, David Hermans, Gintare Kerbelyte, Julie Hénault, Lilia Luganskaia, Lotte Voets, Mads Wildgaard, Marius Jopen, Melissa Tun Tun, Mickael Marman, Mio Fujimaki, Noga Harel, Øjan Døsen, Pernilla Roos, Raoul Audouin, Sabo Day, Stefan Auberg, YURI AN, Vytautus Volbekas

House Band: Gerard Barry (IRE) + Charlie Stewart-Liberty (IRE)

Guests: Simon Ferdinando (KE), Natasha Ginwala (IN), Roel Griffioen (NL), Jakob Ehrlich (AT), Jessica Dill (US) + Radio Contributions from: Hiwa K and many More.

Special thanks to: Renée Ridgway, Gabriëlle Schleijpen, Alena Alexandrova, Jort van der Laan, Anna Hoetjes, Joris Lindhout, Lost Property http://lostproperty.cx, Mark Kremer, & Kristina Mirova

Snippets




















I chose to make a visual poem inside this office.

Literature, art history and daily life situations were my

working material to build a poly-narrator.

I found some sources I wanted to work with and some other

precarious materials as a card from a restaurant or

leftovers from a present.

Victor Grippo (AR) and Marcel Broodthaers (BE) -with part

of their works Analogy IV from 1972 and Fig.1 Programme

from the same year- combine in a speech chain making and

unmaking themselves in a particular topology where others

and their discourse- are included. Like poet Mariano Blatt

(AR) with his fanzine Sarpadit from 2007, and artist

Nicolás Sarmiento (AR) with whom we wrote together a text

based on simple and daily life questions that usually

appear in chain emails or spam. We tried to utter the text

using different manners of speaking through an online

conversation between Rotterdam and Buenos Aires.

Watching slalom on a couch / Performance at De Derde Dinsdag at V2_ Rotterdam, January 2012

Dear Sister - performance at Dutch Art Institute - Arnhem/NL - December 2011

Notes from Rotterdam - Poetry reading at Het Wilde Weten - Rotterdam, October 2011

























‘Since I believe through readings I can address the importance of regaining the “I” of the poet, I would like to invite you to a poetry reading. I am trying to build a language that somehow evokes the use of the body and voice as vigorous gestures, as vehicles to understand relationships and affection. On this evening, I will read some texts from Buenos Aires and some from Rotterdam. And for the unexpected, I will also like to be read, among all, a poem from someone I like very much.’

Mercedes Azpilicueta (1981, Argentina), artist in residence at Het Wilde Weten, October 2011.

She recently received the Argentinian scholarship Maria Marta Sánchez Elia de Nuñez and for 2011-2013 she will be living in Netherlands to obtain her Master degree in Fine Arts at the Dutch Art Institute/ArtEZ. Through the DAI, she has joined the project practice-theatre 2011-2012 tutored by Ian White in collaboration with Emma Hedditch and Jimmy Robert and curated by ‘If I Can´t Dance, I Don´t Want To Be Part Of Your Revolution’. Currently, her practice is developing towards a type of performing where the possibility of speech can be reached. To her knowledge, practice involves futility and transcendence and she has become more and more interested in the idea of leaping between these two places. To bounce is an appealing way of developing her energies in a spontaneous way, to be able to constantly transform herself in each particular situation and social context. Either with drawings or words her practice tries to become a palimpsest of superimposed symbols and random utterances that mirrors the fragile and chaotic sense of knowledge. “I am interested in decoding the idea that all meaning is surrounded by an impenetrable darkness. And that what we can perceive are isolated lights in the abyss of ignorance.”

Notes from Rotterdam - Poetry reading at Het Wilde Weten - Rotterdam, October 2011



Oil on paper









oil on paper



Physical, 2011
Oil on newspaper